Moog MINITAUR Analog Bass Synthesizer

Moog MINITAUR Analog Bass Synthesizer

 

The Moog Minitaur Analog Bass Synth Module is a minimoog-style compact monophonic bass synthesizer based on the Taurus I and Taurus III synthesizers.

The Moog Minitaur has a 100% analogue audio path and a one knob per function design for real-time tweakability including 2 Taurus VCOs with a choice of Saw Tooth or Square waves, 2 mixer VCAs, 2 minimoog style ADSR envelope and 1 VCF with ladder filter and VC Resonance and one VCA. In addition, the Minitaur possesses several new features such as an external audio input to expand on the sound design and synthesis possibilities.

At 8.5″ x 5.25″ and less than 3 lbs, the Minitaur marks the next chapter in the Taurus family history by offering new form factor, control interface and increased level of accessibility. Despite being the first in the Taurus family not to feature foot pedals, the Minitaur is nonetheless a powerful analog Moog bass featuring MIDI/USB Out with easily recalled presets for a package suitable for today’s performance and production environments.

The main features of the Moog Minitaur include:

  • Extremely rugged chassis
  • 100% analog audio signal path based on Taurus I and Taurus III synthesizers.
  • 2 Taurus VCOs with variable Glide amount
  • Range: 5 octaves, the highest playable note is middle C
  • Sawtooth or Square waveform for both VCOs
  • External Audio Input
  • Headphone out
  • 2 Mixer VCAs for setting the level of the VCOs
  • 1 VCF Moog/Taurus-style Ladder Filter w/ VC Resonance
  • 1 VCA
  • Two Minimoog-style ADSR Envelope generators with Decay knob and Release On/Off switch
  • 1 MIDI-syncable triangle wave LFO for modulating VCF/VCOs
  • DIN MIDI In and MIDI over USB out

Arturia Minibrute 25 Note Analog Monophonic Synthesizer

Arturia Minibrute 25 Note Analog Monophonic Synthesizer

 

Arturia Minibrute Analog Synthesizer is the company’s first monophonic analogue synth and sets a new standard in terms of sonic power and flexibility.

The Arturia Minibrute has a 100 per cent analogue signal path offering warm, raw and powerful sounds thanks to its multi-wave VCO (Voltage Controlled Oscillator) and Sub Oscillator, offering incredibly deep and fat basses, searing leads and otherworldly sound experiments. The Minibrute also features the incredible Steiner-Parker 2-pole multimode filter – which provides huge and aggressive filtering capabilities – an LFO with Sine, Triangle, Saw, Square, S&H (Sample and Hold) waveforms and two really fast ADSR Envelope Generators capable ranging from 1 millisecond to 10 seconds.

The Minibrute also features a host of innovations such as the Brute Factor, Ultrasaw and Metalizer which push the Oscillators delivering overdrive, extreme sawtooth waveforms and triangle harmonics respectively.

With USB, MIDI and CV connectivity, Arturia ‘s Minibrute fits in seamlessly into any old-school or modern production setup while the audio, transforms this monster of a synth into a fantastic effects box to create completely new sounds from any audio source.

With its own sonic capabilities and unique analogue signal path the Minibrute is all about true analogue synthesis and flexibility and as such, the Minibrute features an arpeggiator, a vibrato LFO, Glide and Portamento, Pitch and modulation wheels for a complete synth experience.

The main characteristics of the Arturia Minibrute Analog Synthesizer include:

  • VCO (Voltage Controlled Oscillator) with Waveform Mixer including Sub Oscillator, Sawtooth, Triangle, Square, white Noise and Audio In
  • Steiner-Parker Multimode Filter with Low Pass, Band Pass, High Pass, Notch
  • 2 ADSR Envelope Generators with incredibly fast response (1 millisecond to 10 seconds)
  • Ultrasaw generating extreme sawtooth waveforms
  • Metalizer delivering extreme triangle harmonics
  • Brute Factor producing subtle saturation to extreme cross modulations
  • Multiple modulation destinations including Pulse Width, Metalizer, Ultrasaw, Filter, Pitch and Amp
  • LFO with 5 waveshapes, MIDI Sync
  • Arpeggiator with MIDI Sync
  • Vibrato LFO offering 3 modes (sine, trill up and trill down)
  • Assignable Aftertouch
  • Portamento
  • 25-note keyboard with velocity, aftertouch, pitch and modulation wheels
  • Extremely rugged Aluminium Chassis
  • CV in: Amp, Pitch, filter
  • CV Out: Pitch
  • MIDI In/Out
  • Gate In/Out
  • USB

Allen & Heath GLD Expanded Live Digital Mixing System

Allen & Heath GLD Expanded Live Digital Mixing System

 

The Allen & Heath GLD 40 is more than just a mixer – it is a complete digital mixing system, and inherits many key benefits from the larger iLive touring range. The GLD 32 system comprises of the GLD-80 digital mixer, AR2412 and AR84 audio racks – giving you 40 inputs and 26 outputs.

At its heart, the GDB-80 mixer provides 48 input-processing channels, 8 stereo FX returns (fed by iLive’s acclaimed FX emulations), 30 configurable buses, 20 mix-processing channels, and DSP power to provide full processing without compromise. The mixer also features 20 motorised faders, analogue-style control section, touch-screen with fully-customisable drag ‘n’ drop layout, channel LCD display, plus a rotary control for direct access to gain, pan and aux/FX sends.

GLD delivers outstanding audio performance, with new high-end mic preamps, low latency operation, and the DSP acceleration. GLD systems connect via CAT5 (using the Allen & Heath dSNAKE protocol) and audio rack components can be positioned up to 120 metres away from the mixing console. Preamps can be controlled remotely and are scene recallable from the console. The AR2412 also includes a connection for personal monitoring systems.

The system also has the ability to record and playback a stereo signal from a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and ACE protocols can also be fitted. Allowing multi-channel record/playback, FOH/monitor splits, and connection to iLive systems, which can be easily configured using GLD’s extensive soft-patching.

Allen & Heath GLD 40 Extended main features include:

  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 44 mics
  • Easy to use, quick to access, analogue style interface
  • dSNAKE Cat5 digital snake—up to 120m cable length
  • 8.4 inch colour touchscreen for graphical view and setup
  • 20 faders, 4 layers, 80 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated ‘short’ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • AviomTM compliant Monitor port on main AudioRack
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colours
  • Engineer’s mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Get started quickly with Template Shows
  • System includes: GLD-80 mixer, GLD-AR2412 and AR84 AudioRacks

Alesis DM DOCK Drum Module for iPad 1 & 2

Alesis DM DOCK Drum Module for iPad 1 & 2

 

The Alesis DM DOCK Drum Module for iPad.

The Alesis DM DOCK is the only drum module on the market for the iPad and iPad 2.

The DM DOCK from Alesis is compatabile with prety much every app on the market, including GarageBand®. With 13 individual TRS Jack trigger inputs turn your iPad into a powerfull and fully featured drum module.

Alesis’s DMDOCK works with a variety of trigger types, including dual-zone drum and cymbal pads, continuous h-ha controllers/pads, three zone rides and multible chokeable cymbals.

The Assignable footswitch input on the DM DOCK can be used for a variety of applications, for example program changes, start/stop sequences and metronome control.

Alesis DM DOCK features include:

  • The only drum module for iPad and iPad 2
  • Works with virtually any app, including GarageBand®
  • 13 individual ¼” TRS trigger inputs for connecting drum and cymbal pads and other triggers
  • Works with dual-zone drum and cymbal pads, continuous hi-hats,three-zone rides, and multiple chokeable cymbals
  • Assignable footswitch input for program changes, start/stop sequences or metronome

Mackie DL1608 Digital Live Sound Mixer with iPad Control

Mackie DL1608 Digital Live Sound Mixer with iPad Control

 

The Mackie DL1608 is the next-generation compact digital live sound mixer that merges Onyx mixer technology with tactile iPad control. The concept revolutionises live sound mixing allowing full venue mobility, decoupling the engineer from the traditional ‘fixed’ mixing position.

Packed with functionality, the DL1608 features 16 Onyx mic preamps, 6 aux sends, and a main stereo output wrapped in low-noise, high-headroom analogue circuitry. This paired with the high-end 24-bit Cirrus Logic converters provide pristine high-resolution audio throughout.

Use the powerful on-board DSP processing to refine your sound, with EQ, gate and compression on all mic/line inputs – global reverb and delay processors – and a comprehensive graphic EQ and compressor/limiter on the outputs.

The DL1608 comes supplied with the Mackie Master Fader App that brings all mixer functionality direct to up-to 10 iPads simultaneously, allowing multiple users to optimise the environment. Go into the crowd and tweak the FOH mix, allow band members to control their own monitors, test monitors prior to the gig and so on. Route audio through the dedicated iPad channel for pre-show music, create mix snapshots, channel presets and even record the mix straight to your iPad. Use the included strip icons to identify channels or create your own by taking pictures of band members – the possibilities are endless.

The Mackie DL1608 is a truly ground-breaking platform that will revolutionise and streamline the way you work.

The Mackie DL1608 main features include:

  • Ultra-low noise design with highest possible headroom
  • 16 Onyx microphone preamps
  • 4 mic/line combos (channels 13 to 16)
  • 6 auxiliary sends
  • Stereo main output
  • 24-bit Cirrus Logic converters
  • 4-band EQ, gate and compressor on channel inputs
  • Global reverb and delay processors
  • 31-band graphic EQ with compressor limiter on main outputs
  • Use up to 10 iPads simultaneously
  • Ground-breaking Master Fader App
  • Wired or wireless mixing from anywhere
  • Full recall except mic pre gains
  • Dedicated iPad channel
  • PadLock feature for fixed install
  • Weighs 3.2kg
  • iPad not included

Audio Technica AT4050 Urushi Multi-Pattern Condenser Microphone

AT4050 Urushi Multi-Pattern Condenser Microphone

 

The Audio-Technica AT4050 URUSHI is a multi-pattern condenser microphone with exquisite Lacquer Finish. Only 400 produced worldwide.

The special 50th anniversary edition AT4050 URUSHI features a stunning traditional urushi lacquer finish, with hand-painted Japanese maple leaves, and etched-on unique serial number. It also comes with a beautifully crafted wooden carrying case.

With three switchable polar patterns, the large-diaphragm Audio-Technica AT4050URUSHI exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities.

The sophisticated Audio-Technica driver technology and superior components deliver exceptional power handling and very high SPL capabilities while maintaining clarity of sound with deep, accurate bass and outstanding high-frequency extension.

Audio-Technica AT4050 URUSHI main features:

  • 50th anniversary edition
  • Hand-Painted Lacquer Finish
  • Only 400 produced worldwide
  • Element Type: Externally-polarized (DC bias) condenser
  • Polar patterns: Cardioid, Omnidirectional, Figure-of-eight
  • Frequency response: 20-18,000 Hz
  • Open circuit sensitivity: –36 dB (15.8 mV), re 1V at 1 Pa
  • Impedance: 100 ohms
  • Max. input sound level: 149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal)
  • Signal-to-noise ratio: 77 dB, 1 kHz at 1 Pa
  • Dynamic range (typical): 132 dB, 1 kHz at Max SPL
  • Switches: Polar selection; Flat, roll-off;10 dB pad (nominal)
  • Noise: 17 dB
  • Low frequency roll-off: 80 Hz, 12 dB/octave
  • Phantom power requirements: 48V DC, 4.2 mA typical
  • Weight: 510 g
  • Dimensions: 188.0 mm long, 53.4 mm depth
  • Output connectors: Integral 3-pin XLRM-type
  • Accessories furnished: AT8449 shock mount for 5/8″-27 threaded stands, microphone dust cover, wooden carrying case

Rane Sixty Two Advanced Battle Mixer

Rane Sixty Two Advanced Battler Mixer

 

With bullet proof construction the Rane Sixty-Two is the ultimate battle mixer for use with the Serato Scratch Live DVS

The Sixty-Two is a plug-and-play package supporting two computers, two-deck digital vinyl simulation, SP-6 sample player, software and hardware effects and all the record and playback channels you need. Software controls for Library, Loops, Cues and SP-6 are laid out for fast and intuitive access. The Rane Sixty Two also features on board effects as well as the extensive effects offered by Scratch Live.

The Sixty-Two Mixer supports both analog and Digital Vinyl Simulation (DVS) playback. The mixer is bundled with Serato Scratch Live and includes a fully integrated MIDI controller for software controls.A typical setup includes operation with two Scratch Live DVS channels, SP-6 sample player on an independent USB Aux playback channel and software effects enabled on the USB digital insert in the FlexFx loop. This setup also allows recording PGM1 post-fader, PGM2 post-fader and the Main mix.

The main features of the Rane Sixty-Two include:

  • Serato Scratch Live Compatible
  • Analog Inputs – 4 Stereo unbalanced RCA jacks
  • Digital Signal Processing – 48 kHz, 32-bit floating point
  • USB Audio – Six Stereo Record, Four St 48 kHz, 32-bit floating point
  • Mic Input – Balanced 1/4″ TRS & XLR combination jack
  • Unit Size – 36.2 cm x 26.7 cm x 10.2 cm
  • Weight – 4.3 kg

Clavia Nord Piano 2

Clavia Nord Piano 2

 

The Nord Piano 2 HA88 is a streamlined portable digital piano featuring an 88-note Hammer Action weighted keyboard with stunning grand, upright and electric pianos with additional sounds from the Nord Sample Library.

The Nord Piano 2 HA88 incorporates more than 1000 high quality sample-instruments ranging from Strings, Brass, Synths and Basses to the legendary vintage sounds of the Mellotron and Chamberlin. Both the Nord Piano and Nord Sample libraries are continuously updated and are available as free downloads. All of the sounds in the Nord Piano 2 HA88 are replaceable, making it an instrument that is built to evolve with you. It’s even possible to create your own sample instruments using the Nord Sample Editor.

The Nord Piano 2 comes with the Nord Triple Pedal, a dynamic sustain pedal that can also recreate the mechanical “stomp” and “sizzle” noises that occur when the lifting or releasing the dampener in an Acoustic Grand or Upright Piano. The Advanced String Resonance simulates the subtle phenomenon that occurs when piano strings cause other un-dampened strings to resonate, further adding to an amazing level of realism.

The Nord Piano 2 has dedicated buttons and knobs for all functions the performing musician needs instead of confusing menus. It’s simple to layer and split sounds, and there’s a volume pedal input for sneaking in those strings while you keep playing. The Nord Piano 2 also sports an extensive effects section, covering everything from Phaser, Wah-wah, Flanger, Chorus and Delay effects to a 3-band Equalizer, Amp Simulations, Compressor and Reverb.

Nord Piano 2 HA88 main features:

  • Portable Digital Piano with 88 Hammer Action Weighted keys
  • Grand, Upright and Electric Piano sounds from the Nord Piano Library
  • Nord Triple Pedal included
  • Advanced String Resonance
  • Nord Sample Library with over 1000 instruments
  • Create your own samples with the Nord Sample Editor
  • Volume pedal input
  • Dedicated buttons and knobs for all functions
  • Effects include Phaser, Wah-wah, Flanger, Chorus, Delay, 3-band Equalizer, Amp Simulations, Compressor and Reverb

VOX DelayLab

Vox DelayLab

The new DelayLab – the ultimate delay effect, with a vast array of features and abilities.

Instantly brings any guitarist’s inspiration to life!

Key Features:

  • Thirty types of delay effects, ranging from vintage to standards to originals
  • Precision modeling of vintage delay effects such as analog BBD devices and tape echo
  • Numerous original types such as Dual Delay and Distortion Delay offer new expressive power
  • Stereo Looping can capture up to 28 seconds; multiple variations and types
  • Combine Loop and Delay effects simultaneously for exciting performances
  • Thirty diverse rewritable preset programs, ready for immediate use
  • Delay time is adjustable in 1 ms steps, to a maximum of four seconds
  • Easy access to multiple parameters allows the creation of complex effects
  • All parameters can be controlled using an expression pedal [optional]
  • Sync Mode allows poly-rhythmic effects to be created quickly and easily
  • Seamless Program Change feature ensures smooth transitions
  • Advanced Bypass function with decay avoids abrupt effect cut-offs
  • High-quality 24-bit/48 kHz audio sampling rivals professional equipment
  • Diecast metal body stands up to hard use on stage
  • Stereo Inputs; Stereo Outputs (all 1/4″)
  • Assignable Pedal Control input

From vintage to mainstays and beyond

Over the years, numerous delay effects have come along; tape echoes, analog delays, digital delays, etc. Each has varied by type, manufacturer, and internal structure. From the distinctive distortion and warmth of tape, the unique tonal change produced by an analog BBD (Bucket Brigade Device) circuit, to the lo-fi sound typical of low-resolution digital circuitry, the DelayLab delivers perfect models for a carefully selected set of historically significant delay units that have fascinated guitarists through the years. There are also numerous special types of effects such as pitch change, panning, and reverse. Parameters not found on the original models are also provided, offering unique expressive possibilities that go beyond simply modeling the classic units of the past.

Delay innovations
The DelayLab also contains numerous practical and original delay effects that will inspire any guitarist. Dual Delay makes effective use of two delays; Distortion Delay adds distortion to only the delayed sound; Reverse Delay can adjust the mix ratio between forward and reverse sound; Space Delay applies a string-like tonal effect to deepen the sound. An incredible array of possibilities are available, as any of these effects are capable of creating aggressive and radical sounds, as well as being used to add a subtle sense of depth.

Integrated Stereo Looper 
The DelayLab provides extensive looper capabilities that can be combined with the delay effects to surpass the abilities of the numerous dedicated units that have been in the spotlight of guitar performance in recent years. The DelayLab goes well beyond simply layering sounds by providing features that open up new creative possibilities – such as reverse playback, triggered playback, and using an expression pedal to control various parameters. There are also three types of delay that can be used simultaneously with the looper. Plus, the DelayLab is able to create performances overflowing with originality by adjusting the L/R delay times independently, or by attenuating the volume of the looped phrases each time you overdub so that the latest overdub will stand out.
Thirty stage-ready preset programs
The thirty preset programs take full advantage of the DelayLab’s extensive features and parameters. Editable and re-writable, these programs range from simple and versatile types, to complex and distinctive effects. There are also programs that reproduce the delay sound of famous guitarists as heard on classic recordings.

Preset Programs 
30 types:
Analog Delay, Saturated Delay, Stereo Analog Delay, Echo Plus, Tube Echo, Multi Head, Stereo Digital Delay, Lo-Fi Delay, Pitch Shifting Delay, Multitap Delay, Rhythmic Delay, Multitap Filter Delay, Ducking Delay, Sweep Delay, Distortion Delay, Parallel Delay, Series Delay, Dual Band Delay, Modulation Delay, Filter Delay, Phaser Delay, Cross Delay, Panning Delay, Left Center Right Delay, Space Delay, Reverb Delay, Early Reflections Delay, Reverse Stereo Delay, Reverse Analog Delay, Reverse Filter Delay,

Classic Song Programs: Total = 10 Programs
Welcome to the Jungle – Lateralus – Cliffs of Dover – Rope – Walking On The Moon – Where The Streets Have No Name – Run Like Hell – 2112 – Lovers in Japan – Give It Away

Intuitive interface 
All of the delay effects can be controlled simply using five knobs, ensuring that creating complex delay sounds is easy and intuitive. All parameters can also be assigned to an optional expression pedal for realtime control as you play, allowing the creation of even more creative performances.
Superb specs, surprising features

The DelayLab boasts studio-quality specifications to guarantee flawless audio fidelity, including 24-bit/48 kHz processing. Innovative Seamless Bypass and Seamless Program Change features ensure a smooth transition in sound when you bypass the unit or switch between programs. Other convenient functions include a Sync Mode which makes it easy to set up complex polyrhythmic effects, and the Kill Dry feature which completely mutes the direct sound. In every respect, the DelayLab is designed to satisfy the guitarist who insists on superior audio response rival the finest equipment available.

RME Fireface UCX Hybrid Audio Interface

RME Fireface UCX Hybrid

The Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME’s long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.

In doing this the Fireface UCX marks a new packing record: 300 electronic components more than inside the already well-stocked Fireface UC! In a tremendous effort RME packed once again all the latest technologies, introduced with the award winning flagship UFX, plus a bunch of newly developed ones, into a half 19 inch housing with full mobile usability.

The result is an awesome combination of RME’s most successful products: Fireface UFX, Firefaces UC/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the X-core, the preamps and the complete effects engine, the UCX continues the tradition of RME’s tremendously successful compact interfaces, and combines it with the great usability of the Babyface through the included RME remote. With the Fireface UCX RME reinvented an already perfect product, by improving existing features and characteristics plus adding sophisticated new ones:

  • Low Latency mastering grade converters with outstanding specifications.
  • Two mic preamps with the premium technology from RME’s high-end recording bestsellers Micstasy and UFX, including the AutoSet overload protection.
  • A newly developed Hammerfall audio core, supporting USB and FireWire with the maximum performance and ultra-low latency operation, combined with the legendary RME driver stability and maintenance, on both bus protocols.
  • TotalMix FX with the complete Fireface UFX DSP engine, including all effects up to 192 kHz.
  • Monitoring Controller: combining the impressive flexibility of the TotalMix FX monitoring tool set and the included RME Remote Control.
  • RME’s unique DIGICheck metering and analysis toolbox for Windows PC and Mac.
  • Plus support for RME’s Advanced Remote Control, active jitter suppression technology, professional reference level support, advanced stand-alone functionality, full 192 kHz operation, and last but not least two high speed MIDI I/Os.
  • On top of it: The Fireface UCX is the first professional audio interface with Class Compliant mode to work with Apple’s iPad, for perfect stereo up to 8 channel recording and playback, and the addition of truly professional I/Os.

All in all the Fireface UCX is the new compact-sized dream interface, created with care for every detail, and a new premium solution for any desktop and live usage, without compromises in sound, stability and ultra-low latency operation.